Yasuhiro Ishimoto (石元 泰博, Ishimoto Yasuhiro, June 14, 1921 – February 6, 2012) was an influential Japanese-American photographer. Russet Lederman, a researcher and writer based in New York, is a cofounder of 10x10 Photobooks and The Gould Collection. 5 of the works on view are c-prints, made in 1981-1982 and printed in 2003; these prints are sized roughly 18×14 (or reverse). Die Kaiserliche Villa Katsura. Returning temporarily to Japan in 1953, he visited Katsura Villa in Kyoto for the first time while on assignment from the the Museum of Modern Art, New York to research Japanese architecture. The Imperial Villa of Katsura, Japan (1616-1660) The Imperial Villa of Katsura in the outskirts of Kyoto was built in three stages by Hichijonomiya Toshihito and his son Toshitada between 1616 and 1660 during the Edo Period. Although this exhibition does not allow for a one-to-one comparison of images of specific sites, the ability to see the overall transformation of both place and photographic vision is strongly apparent. Because few photographers were admitted in the 1950s, Ishimoto’s 1953–54 photographs received broad attention when first published in Katsura: Tradition and Creation in Japanese Architecture (1960), a book that also includes writings by architects Kenzo Tange and Walter Gropius. Yasuhiro Ishimoto, Tea Room of the Shokintei Pavilion, viewed from the north-east. As a young man, the American-born Japanese photographer Yasuhiro Ishimoto first visited Kyoto’s Katsura Imperial Villa in 1953. Dye transfer print. Announcing the Winners of the 2020 PhotoBook Awards, Why Deborah Willis Thinks the Photobook Can Be Transformative. Ishimoto was the perfect guide. A Searing Exhibition Charts the History of Abortion, Rupture, Reconnection: The Photography of Eikoh Hosoe (Video), Dawoud Bey on the Photography World, Past and Present, 2020 PhotoBook Awards Shortlist: PhotoBook of the Year, 2020 PhotoBook Awards Shortlist: First PhotoBook, 2020 PhotoBook Awards Shortlist: Catalogue of the Year, Tyler Mitchell’s Love for a Common Way of Life, The Queer Black Artists Building Worlds of Desire. He had just returned to Japan after a long period of artistic training in the United States and the Jobs His attention to form, shape, and light are evident in the four black-and-white photographs from this visit on view in the show (taken in 1954 and printed in 1980). The 18-year old returned to California in 1939, where he was sent to an internment camp for Americans of Japanese descent when the United States declared war on the Empire of Japan. Prezzi e dettagli della vendita all'asta di katsura imperial villa, Fotografia dell'artista Yasuhiro ISHIMOTO (20151309) Staff In several of his images from the 1980s, Ishimoto photographed specific locations from relatively similar vantage points. He teaches art writing at the School of Visual Arts, New York. Returning temporarily to Japan in 1953, he visited Katsura Villa in Kyoto for the first time while on assignment from the the Museum of Modern Art, New York to research Japanese architecture. In the 20th century Katsura Imperial Villa became a kind of touchstone for the essence of Japanese architecture. Yasuhiro Ishimoto, Katsura Villa, 1953–1982. Yasuhiro Ishimoto's KATSURA VILLA, an exhibition of color photographs, is held this month. Courtesy Peter Blum Gallery, New York. In the intervening years, the villa had been restored; Ishimoto’s five larger scale 1981–82 color images show nuanced differences in both photographer and location. Yasuhiro Ishimoto, Katsura Villa, 1953–1982. Courtesy Peter Blum Gallery, New York Profoundly impressed by the beauty of Katsura’s traditional Japanese architecture and gardens, Ishimoto could not help photographing in a manner that filtered it through his Western training. Thirty years later, he returned for a second look. However, this time he shot the villa and its grounds using both color and black-and-white film. Yasuhiro Ishimoto #150, Katsura Villa, 1954, printed later Yasuhiro Ishimoto #64, Chicago, 1951 Yasuhiro Ishimoto; Sign up for our enewsletter to receive updates. (Another framed print can be seen in the back office.) Ishimoto, Yasuhiro: Katsura Imperial Villa Katsura Imperial Villa. Advertising The exhibition’s centerpiece is Ishimoto’s series featuring the Katsura Imperial Villa in Kyoto, a cultural treasure and masterpiece of Japanese gardening. Yasuhiro Ishimoto‘s KATSURA VILLA, an exhibition of color photographs, is held this month. Click here to see an interactive timeline which details the history of Aperture. In this photograph he used the terrace doors to frame the landscape thus achieving a dual effect. Ishimoto introduced a western sensibility to a younger generation of Japanese photographers, among them Eikoh Hosoe and Shomei Tomatsu. Limited-Edition Prints by Leading Artists, Untitled, from Chicago, Chicago, 1958, 1961, printed before 1981, Chicago, 1959, 1961, printed 1980s, 1990s, Katsura Old Shoin from the North East, 1982, Untitled, from the series Memory of War, Toyokawa, Aichi, 1959-printed later, San Francisco Museum of Modern Art (SFMOMA), "Intimate Curiosity—Invitation to Japanese Collectors of Contemporary Art" at Hong Kong Arts Centre, Hong Kong, A Woman Planting Rice Toyama, Japan, 1957. Mixing black-and-white images from the 1950s and 1980s series, the fifteen photographs that form the Katsura Villa Portfolio are of similar size and tonality. Browse more artworks Yasuhiro Ishimoto from Peter Blum. 8 Apr – 3 Jun 2011. All Work is Copyright Of Respective Owner, Otherwise © 2020 Aperture Foundation. Katsura is the first exhibition of the artist’s work at Peter Blum Gallery. In the early 1980s, Ishimoto revisited Katsura with the same 4 x 5 camera. Wikidata Q2139869 View or edit the full Wikipedia entry. Born in 1921 in San Francisco, Yasuhiro Ishimoto, an American citizen, was raised in Japan and passed away in 2012. This and the following image are from a series of several interiors that Ishimoto Yasuhiro took of the Katsura Imperial Villa in 1954. These images invite viewers to slow down as they observe the transitory and evolving nature of a particular place photographed during two distinct periods in Ishimoto’s career. He spent the rest of his life shooting people and scenes on the streets of Chicago and Tokyo, as well as formal architectural settings, amassing a body of black-and-white and color images unified by his strong sense of form, composition, and detail. 30 x 39,5 cm (45,5 x 54 cm). Board of Trustees 3 mai 2012 - Cette épingle a été découverte par Mario Pires. What Does Utopia Look Like in Photography Today? It is one of Japan's most important large-scale cultural treasures. Available for sale from Peter Blum Gallery, Yasuhiro Ishimoto, Katsura Villa (1954), 1954, 8 3/8 × 11 1/8 in Shot between 1953 and 1954, Ishimoto’s stunning images of the imperial property represent a … Host an Exhibition, Contact Us At a seventeenth-century villa in Kyoto, a young photographer merged modernist vision with exquisite design. Focusing on the stepping-stone paths that snake through Katsura’s gardens and the clean geometric lines of the stark interior and exterior spaces, Ishimoto’s images emphasize texture and abstract pattern within the minimalism of Katsura’s traditional Japanese design. Yasuhiro Ishimoto. Edward Steichen, at the time the photography curator at New York’s Museum of Modern Art, had asked Ishimoto to escort the museum’s design curator for his research on Japanese shrines, temples, and gardens for a forthcoming architectural exhibition. See available photographs, prints and multiples, and paintings for sale and learn about the artist. As a mature photographer, Ishimoto was able to embrace a broader visual sensibility that depicts flourishes that were mostly omitted in his 1950s black-and-white photographs. Yasuhiro Ishimoto: Katsura is on view at Peter Blum Gallery in New York through February 20, 2016. Yasuhiro Ishimoto, Garden view from the North Veranda of the Shokintei Pavilion. Le photographe Yasuhiro Ishimoto a trente-deux ans lorsqu’il visite en 1953 et pour la première fois la villa impériale de Katsura dans le Sud-Ouest de Kyoto.